How our team plans, films, and finishes
Pre-production covers the creative brief, script or outline, shot list, location scouting, talent and release forms, and a call sheet with exact times. For aerial shots we check airspace and file authorizations where they are needed, which matters near DIA, Centennial, and Rocky Mountain Metropolitan airports.
On production days we bring cinema cameras, prime and zoom lenses, gimbals, LED lighting, and wireless and boom audio, scaled to the scene. In post, editors cut from transcripts, colorists balance footage shot across locations, and motion designers add titles, lower thirds, and branded end cards. You review on a private link and leave time-stamped notes, so feedback stays specific and nothing gets lost in email threads. Every interview also records a backup audio track in case a wireless channel drops.